作为人类思想精华的名著书籍，一直都是大家在学习和参考的典范，也是一种文化传承的必修课。读后感与其看做是种作业还不如看做是一次对于原著作者的思想交流、碰撞。本栏目为大家提供了大量的名著读后感资料，希望大家在这里能找到相同的火花，多交流。
（本文为你提供读后感范本两篇。）
篇一：
Thenovelisrichinpoetry,symbolismandmetaphor.Itdoesnotfiteasilyintoadefinitepattern,beingneitheranovelof"manners"inthetraditionofAusten,orastraightforwardGothicRomanceinthestyleofMrsRadcliffe.WhatCharlotteBrontedidwastocreateaworkwhichcleverlyblendselementsofthetwostyles,andwhichremainsuniquelyindependentofthematthesametime,sinceitaddressesissueswhichwereatthetimerathercontroversial.
Thenoveliswritteninthefirstperson,andthusmagnifiesthecentralcharacter-thereaderenterstheworldofJaneEyreandistransportedthroughherexperiencesatfirsthand.Thisatoncemakestheworksubjective,especiallysinceweknowthatCharlottesBrontesownlifeandexperiencesweresocloselyinterwovenwiththeheroine's.AswellasthiswelearnonlyattheendofthenovelthattheeventsarebeingrelatedtoustenyearsafterthereconciliationwithRochester-thusthenarrativeisRETROSPECTIVE(lookingback).CBiscleverinblendingthenarrativesothatattimesJaneseemstobespeakingasanadultwithadulthindsight,whileatothersshesheis"inthemiddle"ofthem,asachildoryoungwoman.Theindecisionwhichisacentralissueinthebook,isheightenedbythisdevice.Weneverknow,asreaders,whethertobeentirelytrustfulofJanesactionsandthoughts,becauseweareneversurewhehersheisspeakingimpulsivelyormaturely.
Thisintensifiesthereadersdilemmaastowhatis"right"and"wrong"inthedramaticrelationshipswhicharepartofJE'slife.Canwebelievewhattheheroinesays,orisshedeceivingherself?Thenovelisprimarilyalovestoryanda"romance"wherewishescometruebutonlyaftertrialsandsuffering.Thesupernaturalhasitsplace,asdodreams,portentsandprophesies.Theheroinebeginspoorandlonelyandendsuprichandloved;theorphanfindsagoodfamilytoreplacethewickedone;allthebasicingredientsofclassicromanticfairytalearepresent.
TheromanticelementispresentintwoformsinJaneEyre;the"family"aspectisdealtwithintheGateshead,LowoodandMoorHouseepisodes,whichinvolvetheexchangingofthewickedReedfamilyforthebenevolentRiversone;andtheLoveromanceisdealtwithintheThornfieldandFerndeanepisodes.Bothaspectsare,ofcourselinkedandinterwoventhroughoutthenovel.
Thereisalsoastrongelementofrealisminthenovel,which,marriedtotheromanticaspect,enhancesthenovel'sstrength.Thesenseofplaceisverystrong;weareabletoexperiencebothexteriorandinteriorsettingswithstartlingclaritythroughoutthestory,inaseriesofvividdeivepassages.Thecentralcharactersarealsorealisticandtheirconfrontationsandsufferingschangetheminabelievableway.
Eventheunlikelyismadeplausible,withauniqueblendofhighdramaandperceptivelowcomedy(theattackonMason,forinstance)
Themorefantasticromanticaspects;thecoincidences;thesecrets;thesupernaturaloccurrences,arebalancedbytherealism,andthisisofcourseamajorstrength.
TheGothicinfluencecannotbeignored,althoughCBhasrefinedthetechniqueconsiderablyfromthe"authentic"Gothicofthe1790's.Intheoriginalgenre,theheroinewouldtypicallybeabductedandthreatenedwithseduction,orworse!.Therewouldbealover-arespectable,well-bredyoungman-whowouldendeavortorescuetheheroineandwouldsucceedaftermanytrial.theseducerwouldbeabrigand"KnowthatIadoreCorsairs!"andhewouldlockthegirlupinaremotecastle.
TherewaslittlefreedomformiddleclasswomenduringtheperiodoftheGothicnovel,andthiswasstillthecaseinthetimeofCB.Marriageespeciallywasoftenabargain,wherebyfortunesweresecuredbyusingthefemaleasapawn.Awoman'svaluelargelydependedthereforeonhersexualpurityandshewasguardedandsecuredasaresult.Men,onthecontrary,werepotentandfree;loversandmistresseswerecommon.Ironicallythewomenwhoprovidedtheirservicesweresocialoutcastsasaresult.
InJaneEyreweseeelementsoftheGothicromance,inthatThornfieldHallandRochesteraredescribedverymuchinthebrigand/castlestyleBUTJaneEyreisnotabductedbyR.Onthecontraryshechoosestogothereofherownfreewill.ANDsheisclearinherdeterminationtohaveRochesterasahusband.Neitheristhereagentlemanrescuer;StJohnRiversmaylooklikeaGreekGod,butheisneitherkindnorbenevolent;drivingJanebacktoFerndean,notrescuingherfromit.
ThetrialswhichtheheroissupposedtoundergoinaGothicromanceareinfactundergonebytheheroineinJaneEyre.ThebanditRochesterisonlyskin-deep.Underneaththebroodingexteriorisasensitivesoul,whichaWOMANfrees.InthiswayweseethatCBcreatedratheradaringdeparturefromconventionalfiction,althoughtherearestillmanyaspectsofthenovelwhichremaintruetoVictorianconvention.
篇二：
JaneEyre,isapoorbutaspiring,smallinbodybuthugeinsoul,obscurebutself-respectinggirl.Afterweclosethecoversofthebook,afterhavingalongjourneyofthespirit,JaneEyre,amarvelousfigure,hasleftussomuchtorecallandtothink:
Werememberhergoodness:forsomeonewholostarmsandblindedineyes,forsomeonewhodespisedherforherordinariness,andevenforsomeonewhohadhurtherdeeplyinthepast.
Werememberherpursuitofjustice.It’slikeacompanionwiththegoodness.Butstill,avirtuouspersonshouldpromotethegoodnessononesideandmustcheckthebadnessontheotherside.
Werememberherself-respectandtheclearsituationonequality.Inheropinion,everyoneisthesameattheGod’sfeet.Thoughtherearedifferencesinstatus、inpropertyandalsoinappearance,butallthehumanbeingareequalinpersonality.
Wealsorememberherstrivingforlife,hertoughnessandherconfidence…
Whenwethinkofthisgirl,whatshegaveuswasnotaprettyfaceoratranscendenttemperamentthatmakeusadmiredeeply,butahugecharmofherpersonality.
Actually,shewasn’tpretty,andofcourse,theordinaryappearancedidn’tmakeothersfeelgoodofher,evenherownauntfeltdisgustedwithit.Andsomeotherseventhoughtthatshewaseasytolookdownonandtotease,sowhenMissIngrammetJaneEyre,sheseemedquitecontemptuous,forthatshewasobviouslymuchmoreprettierthan‘theplainanduglygoverness’.Butasthelittlegovernesshadsaid:‘Doyouthink,becauseIampoor,obscure,plain,andlittle,Iamsoullessandheartless?Youthinkwrong!’ThisistheideaofequalityinJaneEyre’smind.Godhadn’tgivenherbeautyandwealth,butinstead,Godgaveherakindmindandathinkingbrain.Herideaofequalityandself-respectimpressussomuchandletusfeelthepowerinsideherbody.
Inmymind,thoughaperson’sbeautyonthefacecanmakeothersoncefeelthatoneisattractiveandcharming,ifhisorhermindisn’tthesamebeautifulastheappearance,suchasbeautycannotlastfor,whenothersfindthatthebeautywhichhadcharmedthemwasonlyafalsity,it’snottrue,theywilllikethepersonnomore.Foralongtime,onlyaperson’sGREatvirtue,anoblesoul,abeautifulheartcanbecalledasANEVERLASTINGBEAUTY,justasKahillGibranhassaid,that‘Beautyisaheartenflamedandasoulenchanted’.Icanfeelthathowbeautyreallyis,asweareallfleshlymen,sowecan’tdistinguishwhetheramanisofnoblenessorhumbleness,butfleshlymen,sowecan’tdistinguishwhetheramanisofnoblenessorhumbleness,butastherearegreatdifferencesinoursouls,andfromthat,wecanknowthatwhetheramanisnobleorordinary,andevenobscure,thatis,whetherheisbeautifulornot.
Herstorymakesusthinkingaboutlifeandwelearnmuchfromherexperience,atleast,thatisafreshnewrecognitionoftherealbeauty.
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