某广电IP城域网改造方案建议书 本文关键词：建议书，城域网，广电，改造，方案
某广电IP城域网改造方案建议书 本文简介：opinionabout,andstatementof,thetheme.Moralinferencesdrawnfrommoststories:Moralinferencesmaybedrawnfrommoststories,nodoubt,evenwhenanauthordoesnotinten
某广电IP城域网改造方案建议书 本文内容：
opinion
about,and
statement
of,the
theme.
Moral
inferences
drawn
from
most
stories:
Moral
inferences
may
be
drawn
from
most
stories,no
doubt,even
when
an
author
does
not
intend
his/her
story
to
be
read
this
way.
In
“A
Clean,Well-Lighted
Place”,we
feel
that
Hemingway
is
indirectly
giving
us
advice
for
properly
regarding
and
sympathizing
the
lonely,the
uncertain,and
the
old.
But
obviously
the
story
does
not
set
forth
a
lesson
that
we
are
supposed
to
put
into
practice.
We
can
say
for
sure
that
“A
Clean,Well-Lighted
Place”
contains
several
themes
and
other
statements
could
be
made
to
take
in
Hemingway’s
view
of
love,of
communication
between
people,of
dignity.
Great
stories,like
great
symphonies,frequently
have
more
than
one
theme.
When
we
say
that
the
title
of
Pride
and
Prejudice
conveys
the
theme
of
the
novel
or
that
Uncle
Tom’s
Cabin
and
The
Grapes
of
Wrath
treat
the
themes
of
slavery
and
migratory
labor
respectively,this
is
to
use
theme
in
a
larger
and
more
abstract
sense
than
it
is
in
our
discussion
of
Hemingway’s
“A
Clean,Well-Lighted
Place.”
In
this
larger
sense
it
is
relatively
easy
to
say
that
Mark
Twain’s
Huckleberry
Finn,Updike’s
A
(2)
the
occupations
and
daily
manner
of
living
of
the
characters;
(3)
the
time
or
period
in
which
the
action
takes
place,for
example,the
late
eighteenth
century
in
history
or
winter
of
the
year;
(4)
the
general
environment
of
the
characters,for
example,religious,mental,moral,social,and
emotional
conditions
through
which
characters
in
the
story
move.
(Holman
and
Harman,A
Handbook
to
literature,1986)
But
often,in
an
effective
story,setting
may
figure
as
more
than
mere
background.
It
can
make
things
happen.
It
can
prompt
characters
to
act,bring
them
to
realizations,or
cause
them
to
reveal
their
innermost
natures,as
we
shall
see
in
John
Cheever’s
short
story
“The
Swimmer”.
First,as
we
have
said,the
idea
of
setting
includes
the
physical
environment
of
a
story:
a
region,a
landscape,a
city,a
village,a
street,a
house—a
particular
place
or
a
series
of
places
where
a
story
occurs.
(Where
a
story
takes
place
is
sometimes
called
its
locale.)
Places
in
fiction
not
only
provide
a
location
for
an
action
or
an
event
of
the
story
but
also
provoke
feelings
in
us.
A
sight
of
a
green
field
dotted
with
fluttering
daffodils
affects
us
very
differently
from
a
sight
of
a
dingy
alley,a
tropical
jungle,or
a
small
house
crowded
with
furniture.
In
addition
to
a
sense
of
beauty
or
ugliness,we
usually
build
up
certain
associations
when
we
put
ourselves
in
such
a
scene.
We
are
depressed
by
a
dingy
alley,not
only
because
it
is
ugly,but
because
it
may
arouse
a
feeling,perhaps
sometimes
unconsciously,of
poverty,misery,violence,viciousness,and
the
struggles
of
human
beings
who
have
to
live
under
such
conditions.
A
tropical
jungle,for
example,in
Joseph
Conrad’s
Heart
of
Darkness,might
involve
a
complicated
analysis:
the
pleasure
of
the
colours
and
forms
of
vegetation,the
discomfort
of
humidity,heat,and
insects,a
sense
of
mystery,horror,etc.
The
popularity
of
Sir
Walter
Scott’s
“Waverley”
novels
is
due
in
part
to
their
evocation
of
a
romantic
mood
of
Scotland.
The
English
novelist
Graham
Greene
apparently
needed
to
visit
a
fresh
scene
in
order
to
write
a
fresh
novel.
His
ability
to
encapsulate
the
essence
of
an
exotic
setting
in
a
single
book
is
exemplified
in
The
Heart
of
the
Matter;
his
contemporary
Evelyn
Waugh
stated
that
the
West
Africa
of
that
book
replaced
the
true
remembered
West
Africa
of
his
own
experience.
Such
power
is
not
uncommon:
the
Yorkshire
moors
have
been
romanticized
because
Emily
Bronte
wrote
of
them
in
Wuthering
Heights,and
literary
tourists
have
visited
Stoke-on-Trent
in
northern
England
because
it
comprises
the
“Five
Towns”
of
Arnold
Bennet’s
novels
of
the
early
twentieth
century.
Thus,a
reader’s
reaction
to
a
place
is
not
merely
based
upon
the
way
it
looks,but
upon
the
potentialities
of
action
suggested
by
it.
Places
matter
greatly
to
many
writers.
For
instance,the
French
novelist
Balzac,before
writing
a
story
set
in
a
town,he
would
go
and
visit
that
town,select
a
few
lanes
and
houses,and
describes
them
in
detail,down
to
their
very
smells.
In
his
view
the
place
in
which
an
event
occurs
was
of
equal
moment
with
the
event
itself,and
it
has
a
part
to
play.
Another
example
is
Thomas
Hardy,under
whom
the
presentation
of
setting
assumes
an
unusual
importance.
His
“Wessex”
villages
cast
intangibly
such
as
spell
upon
the
villagers
that
once
they
leave
their
hometowns
they
will
inevitably
suffer
from
disasters,and
the
farther
they
are
away
from
their
hometowns,the
more,terrible
their
disasters
will
be.
For
example,in
the
Tess
of
the
D’Urbervilles,the
Vale
of
Blakemore
was
the
place
where
Tess
was
born
and
her
life
was
to
unfold.
Every
contour
of
the
surrounding
hills
was
as
personal
to
her
as
that
of
her
relatives’
faces;
she
loved
the
place
and
was
loved
in
the
place.
The
vale,far
from
the
madding
crowd
of
the
civilized
city,was
as
serene
and
pure
as
the
inhabitants.
Tess,imbued
deeply
with
the
natural
hue
of
the
vale
and
bound
closely
to
this
world
of
simplicity
and
seclusion,experienced
her
own
delight
and
happiness
though
her
family
was
poor.
It
was,to
some
extent,her
departure
from
her
native
place
that
led
to
her
tragedy.
In
The
Return
of
the
Native,the
atmosphere
of
Egdon
Heath
prevails
over
the
whole
book;
as
an
environment,it
absorbs
some
and
repels
others
of
the
characters:
those
who
are
absorbed
achieve
a
somber
integration
with
it,but
those
who
are
repelled
and
rebel
suffer
disaster.
Sometimes
an
environment
serves
as
more
than
a
mere
place
to
set
the
story.
Often,it
is
inextricably
entangled
with
the
protagonist,and
even
carries
strong
symbolic
meanings.
Cathy
as
an
image
of
the
feminine
personality,for
example,in
Emily
Bronte’s
Wuthering
Heights,is
not
supposed
to
possess
the
“wilderness”
characteristic
of
masculinity
and
symbolized
by
the
locales
of
Heathcliff
and
Wuthering
Heights.
In
some
fiction,setting
is
closely
bound
with
theme.
In
The
Scarlet
Letter,even
small
details
afford
powerful
hints
at
the
theme
of
the
story.
At
the
start
of
the
story,the
narrator
describes
a
colonial
jailhouse:
Before
this
ugly
edifice,and
between
it
and
the
wheeltrack
of
the
street,was
a
grass-plot,much
overgrown
with
burdock,pigweed,apple-peru,and
such
unsightly
vegetation,which
evidently
found
something
congenial
in
the
soil
that
had
so
early
borne
the
black
flower
of
civilized
society,a
prison.
But,on
one
side
of
the
portal,and
rooted
almost
at
the
threshold,was
a
wild
rosebush,covered,in
this
month
of
June,with
its
delicate
gems,which
might
be
imagined
to
offer
their
fragrance
and
fragile
beauty
to
the
prisoner
as
he
went
in,and
to
the
condemned
criminal
as
he
came
forth
to
his
doom,in
token
that
the
deep
heart
of
Nature
could
pity
and
be
kind
to
him.
Apparently,the
author
makes
a
contrast
between
the
ugly
jailhouse
with
a
tangled
grass-plot
overgrown
with
burdock
and
pigweed
and
something
as
beautiful
as
a
wild
rose.
As
the
story
unfolds,he
will
further
suggest
that
secret
sin
and
a
pretty
child
may
go
together
like
a
pigweed
and
wild
roses.
In
this
artfully
crafted
novel,setting
is
intimately
blended
with
characters,symbolism,and
theme.
In
addition
to
place,setting
may
crucially
involve
the
time
of
the
story—century,year,or
even
specific
hour.
It
may
matter
greatly
that
a
story
takes
places
in
the
morning
or
at
noon.
The
medieval
background
informs
us
differently
from
the
twentieth
century.
Kennedy
and
Gioia
note
that
in
The
Scarlet
Letter,the
nineteenth-century
author
Nathaniel
Hawthrone,utilizes
a
long
introduction
and
a
vivid
description
of
the
scene
at
a
prison
door
to
inform
us
that
the
events
in
the
story
took
place
in
the
Puritan
community
of
Boston
of
the
earlier
seventeenth
century.
This
setting,to
which
Hawthorne
pays
so
much
attention,together
with
our
schemata
concerning
Puritan
practice,helps
us
understand
what
happens
in
the
novel.
We
can
understand
to
some
extent
the
agitation
in
the
town
when
a
woman
is
accused
of
adultery,for
adultery
was
a
flagrant
defiance
of
church
for
the
God-fearing
New
England
Puritan
community,and
an
illegitimate
child
was
evidence
of
sin.
Without
information
about
the
seventeenth-century
Puritan
background,a
reader
today
may
be
perplexed
at
the
novel.
The
fact
that
the
story
in
Hawthorne’s
novel
took
place
in
a
time
remote
from
our
own
leads
us
to
expect
different
attitudes
and
customs
of
the
characters,is
strongly
suggestive
of
the
whole
society,which
is
crucial
to
an
essential
understanding
of
The
Scarlet
Letter
as
a
whole.
Besides
place
and
time,setting
may
also
include
the
weather,which,indeed,may
be
crucial
in
some
stories.
2.
Local
color
writing
/regionalism
and
the
writer,a
regional
writer.
When
setting
dominates,or
when
a
piece
of
fiction
is
written
largely
to
present
the
manners
and
customs
of
a
locality,the
writing
is
often
called
local
color
writing
or
regionalism
and
the
writer,a
regional
writer.
A
regional
writer
usually
sets
his/her
stories
in
one
geographic
area
and
tries
to
bring
it
alive
to
readers
everywhere.
Thomas
Hardy,in
his
portrayal
of
life
in
Wessex,wrote
regional
novels.
Arnold
Bennett’s
novels
of
the
“Five
Towns”
are
markedly
regional.
Willliam
Faulkner,known
as
a
distinguished
regional
writer,almost
always
set
his
novels
and
stories
in
his
native
Mississippi.
3.
The
setting
of
a
novel
is
not
always
drawn
from
a
real-life
locale.
The
setting
of
a
novel
is
not
always
drawn
from
a
real-life
locale.
Literary
artists
sometimes
prefer
to
create
the
totality
of
their
fiction—the
setting
as
well
as
characters
and
their
actions.
……
The
creation
of
setting
can
be
a
magical
fictional
gift
in
a
XX广电IP城域网改造
方案建议书
opinion
about,and
statement
of,the
theme.
Moral
inferences
drawn
from
most
stories:
Moral
inferences
may
be
drawn
from
most
stories,no
doubt,even
when
an
author
does
not
intend
his/her
story
to
be
read
this
way.
In
“A
Clean,Well-Lighted
Place”,we
feel
that
Hemingway
is
indirectly
giving
us
advice
for
properly
regarding
and
sympathizing
the
lonely,the
uncertain,and
the
old.
But
obviously
the
story
does
not
set
forth
a
lesson
that
we
are
supposed
to
put
into
practice.
We
can
say
for
sure
that
“A
Clean,Well-Lighted
Place”
contains
several
themes
and
other
statements
could
be
made
to
take
in
Hemingway’s
view
of
love,of
communication
between
people,of
dignity.
Great
stories,like
great
symphonies,frequently
have
more
than
one
theme.
When
we
say
that
the
title
of
Pride
and
Prejudice
conveys
the
theme
of
the
novel
or
that
Uncle
Tom’s
Cabin
and
The
Grapes
of
Wrath
treat
the
themes
of
slavery
and
migratory
labor
respectively,this
is
to
use
theme
in
a
larger
and
more
abstract
sense
than
it
is
in
our
discussion
of
Hemingway’s
“A
Clean,Well-Lighted
Place.”
In
this
larger
sense
it
is
relatively
easy
to
say
that
Mark
Twain’s
Huckleberry
Finn,Updike’s
A
(2)
the
occupations
and
daily
manner
of
living
of
the
characters;
(3)
the
time
or
period
in
which
the
action
takes
place,for
example,the
late
eighteenth
century
in
history
or
winter
of
the
year;
(4)
the
general
environment
of
the
characters,for
example,religious,mental,moral,social,and
emotional
conditions
through
which
characters
in
the
story
move.
(Holman
and
Harman,A
Handbook
to
literature,1986)
But
often,in
an
effective
story,setting
may
figure
as
more
than
mere
background.
It
can
make
things
happen.
It
can
prompt
characters
to
act,bring
them
to
realizations,or
cause
them
to
reveal
their
innermost
natures,as
we
shall
see
in
John
Cheever’s
short
story
“The
Swimmer”.
First,as
we
have
said,the
idea
of
setting
includes
the
physical
environment
of
a
story:
a
region,a
landscape,a
city,
篇2：龙窝湖酒店建议书
龙窝湖酒店建议书 本文关键词：建议书，酒店，龙窝湖
龙窝湖酒店建议书 本文简介：一、项目名称：芜湖龙窝湖渔庄二、项目建设的必要性(一)项目背景：1、建设单位概况(项目法人)芜湖市龙窝湖生态农业综合开发有限公司是集龙窝湖区域的种植、养殖及环境保护为一体综合性农业、渔业开发、科研、发展有限公司；建设芜湖龙窝湖渔庄的目的是充分利用龙窝湖现有的产品和环境优势，进一步开发龙窝湖渔类水产品
龙窝湖酒店建议书 本文内容：
一、项目名称：
芜湖龙窝湖渔庄
二、项目建设的必要性
(一)项目背景：
1、建设单位概况(项目法人)
芜湖市龙窝湖生态农业综合开发有限公司是集龙窝湖区域的种植、养殖及环境保护为一体综合性农业、渔业开发、科研、发展有限公司；建设芜湖龙窝湖渔庄的目的是充分利用龙窝湖现有的产品和环境优势，进一步开发龙窝湖渔类水产品的应用和提高龙窝湖水产品的知名度。
(二)基本条件
拟建地址状况(建设地点)：
利用位于龙窝湖北岸的窝湖生态农业综合开发有限公司现有办楼加以改造。
(三)项目建设的意义
龙窝湖地处长江中下游，原是长江河曲。1960年兴修水利，围垦打坝形成的半封闭湖泊，有控制闸通长江。龙窝湖四周多为沙质土壤农田，主要水源来自繁昌县的横山河，由焦湾闸经三山河流入龙窝湖，全长20公里，一般以区域内的自然降雨或长江引水补充。龙窝湖是长江中下游地区水质最好的淡水湖泊之一。湖中有江心岛——小水影,周围滩涂杨柳依依，芦苇丛生，各种水鸟在此聚集繁延后代。
龙窝湖区位优势明显，自然条件优越，生态环境甚佳，交通十分便捷，是发展旅游和生态养殖的理想场所。该湖正常水位时面积为10500亩，平均水深4.5米，最深处为12米，PH值8.6，溶解氧8.3mg/L，总磷0.06mg/L，总氮0.87mg/L，透明度140～240cm。龙窝湖渔业资源丰富，生长着50多个鱼类品种。其中养殖的品种以河蟹、青鱼、草鱼、鳙鱼、鲢鱼、团头鲂为主；自然增殖的以细鳞斜颌鲴（黄条）、中华鳖、鳗鱼、鳜鱼、鲌鱼、鲶鱼、黑鱼、黄颡鱼、鲫鱼、鲤鱼等品种居多。龙窝湖以盛产细鳞斜颌鲴和河蟹而久负盛名，有“黄条故乡”之美誉。2001年，龙窝湖被安徽省渔业局确定为细鳞斜颌鲴种质资源保护区，2007年5月30日，中央电视台“长江行动”栏目组对龙窝湖生态养殖给予全面报道。
龙窝湖是发展生态旅游的理想场所，具有较高旅游品牌保护价值。本项目的建设是为进一步利用和开发龙窝湖的产品资源和旅游资源的设施之一。可以进一步提高龙窝湖和龙窝湖产品的知名度，为打造芜湖和绿色三山的生态旅游做出贡献。
三、项目建设内容：
(一)
项目建设方案：
1、以龙窝湖北岸的窝湖生态农业综合开发有限公司现有办楼加以改造、添置必要的器具、设备，原建筑物重新加以装修，外部设置一定的绿化景观，充分衬托龙窝湖水天一色的美景，为龙窝湖增加一道靓丽的风景
2、本酒庄主要以经营龙窝湖的各类鲜活水产品为主，设备、设施以鱼类加工为主；
3、环保设施：
环保设施也是此次建设的主要议题，酒庄地处龙窝湖中心，为保证酒庄经营不影响龙窝湖的优美环境，酒庄所有的水。气排放都应达到当地环保部门的排放标准，主要是两项治理内容：
①
废水的治理：
针对餐饮和生活废水含油污及有机物浓度高的特点，废水的治理采用厌氧、好氧气浮式的废水处理工艺，本工艺处理技术已非常成熟，设备简单，投资相对较小，实施较为可行，其具体要艺是：
餐饮及生活废水经管道排入隔油池，经四道隔油处理，可以滤除90%的油污，再进入厌氧池内消除绝大部分嗜氧菌，再进入好氧池内，消除掉绝大部分好氧菌，再经沉淀、沥清，进入气浮反应池，分解掉废水中的有机物。其流程如下图：
②
废气的治理：
餐饮的废气主要是油烟和各种粉尘，采用喷淋除油和活性炭过滤的方式加以治理，具体流程如下图：
(二)
项目建设示意图
(三)
建设项目内容
建设项目内容一览表：
序号
项目内容
建筑面积：平米
投资估算：万元
主要功能
1
原有建筑改造装饰
560
12
主营业场所。
2
操作间新建及装饰
250
10
住宿、餐饮服务
3
埋地式厌氧好氧气浮污水处理设备
13
处理营业中产生的有机污水使之达到环保排放标准。
4
喷淋式烟尘处理设备
3
灶台烟尘处理，使之达到环保排放标准。
5
操作间设备
12
6
包厢、餐厅用具购置
6
7
外部景观设施
2
8
50KVA箱式电站
2
9
其它公用设施
2
合计投资
62
四、项目实施进度
(一)建设工期：
预计新建及装修工期为六个月，可当年对外营业。
(二)项目实施进度安排：
初步设想2011年8月开始立项、签订房屋租赁合同等事宜，2012年春节前既可对外营业。
五、投资估算及资金筹措
(一)投资估算
1、投资估算依据
依据2010年芜湖市政府招标采购交易中心类似建设工程中标平均单位造价测算；
2、建设投资估算
(二)资金筹措方案
本项目投资所须的62万元资金，拟采用股份合作的形式，引进、吸收社会闲散资金，目前已具有一定的意向；
六、效益分析
(一)经济效益：
正常营业后每天营业额按6000元计算：每月税后净利润约36000元，年利润可达43.2万元；上缴政府税收约22万元，18个月左右可收回全部投资。
(二)社会效益分析：
1、龙窝湖酒庄项目建设后可以利用龙窝湖水产品的资源，提高龙窝湖产品的知名度，进一步增加龙窝湖水产品的产量和销售；
2、符合市政府和三山区政府关于大力发展生态旅游的规划思路；
3、可以为三山地区的在产开发和招商引资提花可借鉴的经验；
4、芜湖三山区乃至芜湖市，三产服务行业在国民经济中所占的比重还较小，属于市政府近年来鼓励发展的行业。
篇3：黑龙江省查哈阳农场场直秸秆气化工程建议书
黑龙江省查哈阳农场场直秸秆气化工程建议书 本文关键词：黑龙江省，建议书，气化，秸秆，农场
黑龙江省查哈阳农场场直秸秆气化工程建议书 本文简介：第一章项目摘要1.1项目名称：黑龙江省查哈阳农场场直秸秆气化工程1.2建设单位:黑龙江省查哈阳农场1.3建设地点黑龙江省查哈阳农场场直原饲料厂院内1.4建设年限2009年1.5建设规模黑龙江省查哈阳农场计划建设一座占地4000平方米（厂房面积请在附表中详细填写，设备请自行根据农场情况进行删减或增加）
黑龙江省查哈阳农场场直秸秆气化工程建议书 本文内容：
第一章
项目摘要
1.1
项目名称：
黑龙江省查哈阳农场场直秸秆气化工程
1.2
建设单位:
黑龙江省查哈阳农场
1.3
建设地点
黑龙江省查哈阳农场场直原饲料厂院内
1.4
建设年限
2009年
1.5
建设规模
黑龙江省查哈阳农场计划建设一座占地4000平方米（厂房面积请在附表中详细填写，设备请自行根据农场情况进行删减或增加）、供320户居民生活用燃气的秸秆气化集中供气站。
项目总投资在500万元。
1.6
产品方案
项目建成后，年生产秸秆燃气584000-876000立方米，年消耗秸秆
7.2-8.4
万吨。燃气每方1.2元，年销售收入14.6万元。
1.7
投资估算与资金筹措
该项目建设投资500万元，资金筹措：其中国家投资：300
农场自筹：200
第二章
项目承担单位的基本情况
1、地理位置
查哈阳农场位于黑龙江省甘南县境内，地处嫩江右岸的诺敏河与阿伦河之间的大兴安岭山前冲击平原地带，东为甘南县平阳镇，南为甘南县东阳镇，西为甘南县宝山乡，西北以内蒙古自治区的金界壕为界与阿荣旗毗连，东北和甘南县查哈阳乡接壤以诺敏河为界，并同内蒙古自治区的莫力达瓦自治旗为邻。隶属于黑龙江省农垦齐齐哈尔分局。地理坐标：东经123°56
－124°26
北纬48°05′－48°30
。土地总面积125.9万亩，其中：耕地面积77.2万亩亩，林地面积22.8万亩，牧草地面积6.6万亩。
2、地形地貌
查哈阳农场为低山丘陵区与松嫩平原的过渡地带。全场地势东北高，西南低。东部边缘为侵蚀堆积的冰水平原过渡带，自北向南呈条状带分布在二干以东，微地形较复杂。其余大部分均为高漫滩平原，是农场灌区的主体，属冲击堆积地形，由北向南倾斜地势平坦，微地形变化不大，海拔高程为170—190米，坡降为1/1000—1/2000。
3、地下水资源情况
查哈阳农场地下水贮量比较丰富，全场地下水贮藏量约为1.32亿立方米，可开采水量1.02亿立方米。水质良好，天然补给模数15万立方米/年，矿化度小于0.5克/升，适于饮水与灌溉。丰水区位于中部和西部堆积低洼地区。因地区低洼潜压水丰富，特别是受常年灌溉的影响，地下水位升高，更为充足。丰水区冬季地下水位在10—12米左右，打井深度在14米左右，单井出水量为120—200吨/小时。
4、工程地质
桔杆建设项目属高漫滩平原区，为第四纪沉积物覆盖，下部分为砂卵石含水层，厚度20-60米，承载力为240-450帕，上部为亚粘土，厚2-6米，土的承载力标准值为100-200千帕，上层滞水发育在亚粘土上部，厚度1-2米。
5、土壤情况
查哈阳农场土壤以草原黑钙土为主，黑土层厚度在30-70cm
，在土壤0-20cm土层内可熔盐含量小于0.1%，这种土壤处于干湿交替下，因而在土壤剖面中形成了直径0.5-5.0mm铁锰结核，并在土壤下层可以看到不太明显锈斑，有机质含量一般均在4-6%，速效氨含量31.0-41.6ppm，速效磷含量2.2-6.6ppm，速效钾196-249ppm，ph值4.5-6.0。
二、社会经济状况
查哈阳农场以农业生产经营为主，现已形成农林牧渔各业并举，工商运建服全面发展的格局。现有人口6.9万人，总户数为19396户，作业区53个，2008
年末现有从业人员23555人，其中：国有企业从业人员21875人。技术人员1095人，其中：高级职称人员141人，中级职称人员595人，初级职称人员1059人，三级管理人员585人。
企业经营状况：2008年企业总收入14392万元，总支出8317万元，企业利润5546万元。国内生产总值109058.9万元，资产总额41173万元，其中固定资产总值21916万元，负债总额39978万元，净资产总值1195万元，人均纯收入9099元。农场所处位置交通便捷。
第三章
项目建设方案
5.1
项目区选择
根据项目建设内容，结合农场自然资源状况、经济发展水平、市场条件，以及农业长期发展所形成的产业基础等因素，按照统一规划、科学布局、功能齐全、独具特色的原则，进行区域化布局。经多方考察论证从众多方案中择优确定，具体项目建设地点查哈阳农场场直原饲料厂院内
。
5.2
项目区建设条件
5.2.1地理位置
查哈阳农场位于黑龙江省甘南县境内，地处嫩江右岸的诺敏河与阿伦河之间的大兴安岭山前冲击平原地带，东为甘南县平阳镇，南为甘南县东阳镇，西为甘南县宝山乡，西北以内蒙古自治区的金界壕为界与阿荣旗毗连，东北和甘南县查哈阳乡接壤以诺敏河为界，并同内蒙古自治区的莫力达瓦自治旗为邻。隶属于黑龙江省农垦齐齐哈尔分局。地理坐标：东经123°56
－124°26
北纬48°05′－48°30
。土地总面积125.9万亩，其中：耕地面积77.2万亩亩，林地面积22.8万亩，牧草地面积6.6万亩。
5.2.3工程地质
桔杆项目建设属高漫滩平原区，为第四纪沉积物覆盖，下部分为砂卵石含水层，厚度20-60米，承载力为240-450帕，上部为亚粘土，厚2-6米，土的承载力标准值为100-200千帕，上层滞水发育在亚粘土上部，厚度1-2米。
5.2.4水、电、暖与交通
农场有自来水接入，自来水入户率100%。该区100%为楼房，100%房屋集中供暖，该区外部条件优越，有白色水泥路面，该区距齐齐哈尔128公里，交通便利；农场使用国网电力，项目电力供应有保障。
5.3
总平面布置原则
1、严格执行国家现行的环境保护、劳动保护法规和现行防水、抗震规范。
2、本期工程为新建工程，依据厂址的自然条件，结合装机方案及工艺流程的要求，本着用地合理、布置紧凑、分区明确、便于施工管理、有利丁施工、扩建的原则。
5.4
总平面布置方案
（包括生产车间、储料间等建设项目的平面布置，或直接附平面布置图。）
5.5
工厂运输
5.5.1运输量
本项目年需原材料量7.2---8.4万吨，即为年运输总量。
5.5.2运输方案
汽车运输入厂
5.6
给排水与消防
5.6.1给水
2.水源
水源为井水，既地下水
5.6.2排水
通过场区排水管道排放
5.6.4管材选择
1.生产、生活给水管：
2.室内排水管采用：
8
第四章
项目建设内容及投资
项目建设内容包括秸秆燃气生产工程及集中供气工程。
计划总投资500万元，其中申请国家投资300万元，自筹200万元。总投资中建筑安装工程223.7万元，设备购置253.3万元，工程其他费用5万元，预备费用18万元。
8.1
土建工程
8.2
设备选择
8.3
其他费用及预备费用